Warning: this blog uses some questionable vocabulary.
Thursday, November 28, 2013
Thursday, November 14, 2013
I’m very partial to #1. I can’t really see the puffs, cuffs and collar of #2 working for me, but if anyone out there has made this- I’d love to see it!
The mid- to late 1930s is my favourite period. The 1930s and this pattern in particular have their pluses and minuses for me.
Relatively minimal redrafting needed for those of us whose hip measurement is a size or two up from their bust measurement. For example this pattern is a size 16: bust 34 ins, waist 28, hip 37. By contrast the lower half of size 16 patterns from the same company shrank to 26 and 36 ins for waist and hip respectively.
Like many 1930s patterns, this is made up of a number of small pieces with good potential for using fabrics found in op shops, and recycled bits and pieces.
This particular pattern looks pretty straight forward:
1930s styles, as depicted in pattern cover art, derive much their aesthetically pleasing shape from exaggerated shoulder width and impossibly narrow hips. I always worry that the imagined style will not survive translation into an actual wearable garment.
This pattern is unprinted on fragile brown tissue. The pattern markings are made with holes. As you can see above, there are a lot of holes. Because the pattern is over 70 years old, there are a few more holes than there should be. I used my common sense as I traced it, but I’m not 100% sure I got them all in the right place.
As is usual for the 1930s, the instructions and accompanying diagrams are compressed and a little challenging. It turns out #1 has no seam or fastenings in the centre back of the skirt. Was it intended to be a housedress or an apron,or something in between? #2 has a seam, but also an odd pleat that I can’t make sense of. This may be a clue that some of my guesses about the holes are wrong.
Here are my fabric swatches:
The bodice: soft Japanese printed cotton (picked up on sale at Spotlight).
The skirt: green polyester chiffon with a kind of scrunch dye effect to it (op shop)
Skirt lining: blue poly-cotton (op shop)
Sadly, this fabric choice means I can’t do the pockets. I don’t think I can do those with chiffon. The points at the top of the skirt will give me enough pain as it is.
Wish me luck!
Sunday, November 10, 2013
Containing Concise and Definite Instructions for the Better Use of the Sewing Machine
by Olive M. Elrich, Hazel L. Hunt ( 7th ed, Greist, New Haven Connecticut 1925; Bebarfalds, George St, Sydney)
From the back cover: ‘written so that a girl of 10 can understand it’, ’fully illustrated’
Price in 1925: 5 shillings (Australia)
Soft cover, stapled spine, 64 pages.
‘The French Fold’ created with the binder and a pair of disembodied stunt hands.
Tuesday, October 29, 2013
An Australian classic from the 1940s and 50s.
I absolutely love this book but it is a little hard to come by. I found it in Bayside Books, in Wynnum. Given there were so many editions, it must be around somewhere. If you’re in Australia, I recommend keeping an eye out for it in second-hand book shops. If that’s not an option, Abe Books and Ebay are obvious places to watch. Books & Collectibles is also a good place to look. Good luck! It is a great shame that this volume is not available as a modern reprint or an ebook. You will see at the bottom of this post that a small excerpt is available on scribd.
Successful Dressmaking by Ellen and Marietta Resek would make an ideal companion volume. It pops up regularly on the above websites. And I have tripped over it a couple of times in the back room at Bayside Books.
Wednesday, August 28, 2013
I have tried three types of bobbin in my Bluebird vibrating shuttle treadle machine: the original Bebarfald bobbin, a Singer bobbin, and a Frister & Rossmann bobbin.